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The Strange Affair of Spring Heeled Jack (A Burton & Swinburne Adventure) Paperback – September 1, 2010

4.1 out of 5 stars 231 ratings

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London, 1861. Sir Richard Francis Burton - explorer, linguist, scholar, and swordsman; his reputation tarnished; his career in tatters; his former partner missing and probably dead. Algernon Charles Swinburne - unsuccessful poet and follower of de Sade, for whom pain is pleasure, and brandy is ruin! They stand at a crossroads in their lives and are caught in the epicenter of an empire torn by conflicting forces: Engineers transform the landscape with bigger, faster, noisier, and dirtier technological wonders; Eugenicists develop specialist animals to provide unpaid labor; Libertines oppose repressive laws and demand a society based on beauty and creativity; while the Rakes push the boundaries of human behavior to the limits with magic, drugs, and anarchy. The two men are sucked into the perilous depths of this moral and ethical vacuum when Lord Palmerston commissions Burton to investigate assaults on young women committed by a weird apparition known as Spring Heeled Jack, and to find out why werewolves are terrorizing London's East End. Their investigations lead them to one of the defining events of the age, and the terrifying possibility that the world they inhabit shouldn't exist at all!
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Editorial Reviews

From Publishers Weekly

A historical figure already larger than life, Capt. Sir Richard Francis Burton, pursues a legendary and violent Victorian creature, Spring Heeled Jack, at the behest of the prime minister in this convincingly researched debut. Fans of steampunk will be intrigued by the alternate history setting, in which the queen dies mid-century; they will also enjoy following Burton and his sidekick, poet Algernon Swinburne, as they investigate the dark secrets of 19th-century England and recall Burton's legendary expedition to find the source of the Nile. Burton is an intriguing character, but the story might have benefited by more than token appearances of his intrepid fiancée, Isabel Arundell, and better integration of the fantastical elements--werewolves, time travelers--into the narrative before a wild ending that pulls everything together.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

*Starred Review* The usual superlatives for really clever fantasy (imaginative, mind-bending, phantasmagorical) aren’t nearly big enough for this debut novel. With this one book, Hodder has put himself on the genre map. The time is 1861; the place, London, England. The country is besieged by loups-garous (werewolves), and Spring Heeled Jack, the notorious (and possibly mythical) creature who appears out of nowhere to accost young women, is causing a bit of a ruckus. To deal with these problems, the prime minister recruits Sir Richard Francis Burton, the noted explorer, linguist, and self-promoter. With the help of his friend, the poet Algernon Swinburne, Burton wades in with both feet and uncovers a frightening conspiracy and a (potentially) world-altering technology. And that’s just the bare-bones story of this wildly inventive—another insufficient superlative—novel. Hodder has brilliantly combined various genre staples—time travel, alternate reality, steampunk—into something you’ve never quite seen before. His mid-nineteenth-century Britain features steam-driven velocipedes, rotorchairs, verbally abusive messenger parrots, a pneumatic rail system, and robotic street cleaners. The book’s supporting characters include Charles Darwin, Florence Nightingale, Francis Galton, and Isambard Kingdom Brunel, the revolutionary civil engineer (although Hodder uses them in excitingly twisted new ways). The book is incredibly ambitious, and the author pulls it off like an old pro: not only is the setting exciting and fresh, the story is thrilling and full of surprises. Hodder’s only problem now is to find a way to follow up this exhilarating debut, which will appeal not only to sf/fantasy readers but also to mystery and historical-fiction fans. --David Pitt

Product details

  • Publisher ‏ : ‎ Pyr; 0 edition (September 1, 2010)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 373 pages
  • ISBN-10 ‏ : ‎ 1616142405
  • ISBN-13 ‏ : ‎ 978-1616142407
  • Item Weight ‏ : ‎ 14.4 ounces
  • Dimensions ‏ : ‎ 6 x 0.94 x 9 inches
  • Customer Reviews:
    4.1 out of 5 stars 231 ratings

About the author

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Mark Hodder
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British writer living in Valencia, Spain.

Becoming the father of twins really slowed my writing down for three years. However, I'm happy to report that it's now returning to its former pace ... high time I got something new into the bookshops! I'm currently working on the final edit of a new SF novel which is the first in what I hope will be a massive new series.

To find out more about it, read a pre-release version, access loads of extra material--including deleted scenes and writing tips & tricks--and to involve yourself in my creative process, please head over to my Patreon page: https://www.patreon.com/MarkHodder

Customer reviews

4.1 out of 5 stars
231 global ratings

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Customers say

Customers find this steampunk book well-crafted with interesting world-building and a well-researched cast of characters, particularly appreciating Burton's portrayal. Moreover, the writing style is easily readable to modern sensibilities, and customers consider it a decent steampunk read. Additionally, the book receives positive feedback for its educational value, with one customer noting how it creates a world readers can get lost in. However, the level of detail receives mixed reactions, with some finding it incredibly detailed while others find it overly simplistic.

AI-generated from the text of customer reviews

51 customers mention "Plot"45 positive6 negative

Customers appreciate the plot of the book, describing it as a well-crafted tale of steampunk fiction with interesting world-building and a well-conceived alternate history.

"...The first fifty or so pages feel like engaging historical fiction. Then all hell breaks loose. In a good way...." Read more

"...By the novel's conclusions everything makes sense, which for anyone reading the middle section described above may seem like quite an accomplishment...." Read more

"...He has a very interesting back story and what starts out as a trip to change history a tiny bit ends up forcing Spring Heeled Jack into a descent..." Read more

"...This mystery steampunk action/adventure alternate history story is tight. Hodder's writing style is crisp and even and easily navigated...." Read more

43 customers mention "Readability"40 positive3 negative

Customers find the book readable and entertaining, describing it as a decent steampunk read.

"...readers a tremendous trip into the history books, a dynamite adventure to keep things lively, and a science fiction twist to get the mind working...." Read more

"...Overall this was a decent steampunk read. I enjoyed the world, thought the plot was a bit scattered, and had some trouble engaging with the..." Read more

"...Affair of Spring Heeled Jack is currently my absolute favorite book of the year and is going to be a tough one to unseat...." Read more

"...The use of real historical characters and a fun story line is coupled with very good writing. So, if you are a fan of Steampunk, you'll enjoy this...." Read more

20 customers mention "Character development"15 positive5 negative

Customers appreciate the well-researched characters in the book, particularly Burton, and one customer notes how the author distinguishes between different character voices.

"...Yet things remain consistently period and the characters are well researched and full of era-appropriate dialog, but also clever and engaging...." Read more

"...Burton is a bit too perfect of a character, he pretty much excels at everything. He is portrayed as a noble and misunderstood hero of discovery...." Read more

"...a lot about the characters both their real selves and alternate fictional selves, as well as the era since we see the diverging paths as one thing..." Read more

"...The characters were very 2 dimensional at best...." Read more

15 customers mention "Writing style"13 positive2 negative

Customers appreciate the writing style of the book, finding it intelligent and easily readable to modern sensibilities, with one customer noting that the language is appropriately archaic for the time period.

"...world building and research while remaining fast paced and easy to read...." Read more

"...Instead, what I mean by brilliant writing is that he's written something that feels Victorian, but reads modern...." Read more

"...It was an interesting read and very creative. It is well enough written. Things wrap up fairly well...." Read more

"...Hodder's writing style is crisp and even and easily navigated. Other than a few sections where I bogged down in the science-y alt...." Read more

4 customers mention "Education"4 positive0 negative

Customers appreciate the educational value of the book, with one noting how it creates a world that readers can easily get lost in, while another mentions how it serves as an impetus for life-long learning.

"...He is rugged, overtly sexual, and excessively educated. It's unfortunate that he often seems to possess some incredible powers of deus ex machina...." Read more

"...and distinctive personalities, who come alive, and who engender our interest and care...." Read more

"...score big in the story telling department, but as the impetus behind life-long learning as well!..." Read more

"Wonderful book! Hodder created a world you can easily get lost in. I can't wait to read more!" Read more

3 customers mention "Blend"3 positive0 negative

Customers appreciate how the book blends elements together, with one mentioning it creates a great combination of the fantastic.

"...Hodder takes a cadre of authentic Victorian personas and blends them so well together, even if they never/rarely met in real life...." Read more

"...For the most part, it's a great combination. Great science fiction can easily incorporate mystery and the author does a nice job here...." Read more

"...It had a great blend of the fantastic and the realistic with a smattering of historical figures...." Read more

8 customers mention "Detail"5 positive3 negative

Customers have mixed opinions about the level of detail in the book, with some finding it incredibly detailed while others find it overly simplistic.

"...Technological elements are somewhat interesting and more than occasionally ludicrous, but Hodder wisely avoids making this aspect of the tale overly..." Read more

"...But I also found him kind of irritating and naive. One of the most fascinating characters is Spring Heeled Jack...." Read more

"...Hodder has created realistic literature, political movements, and technology...." Read more

"...A nice blend of alternative history, technology, patriotism, and investigation...." Read more

A lot of fun if you don't pay too much attention to causality and continuity
4 out of 5 stars
A lot of fun if you don't pay too much attention to causality and continuity
Some months ago at work, a friend of mine and I got to talking about steampunk as a sub-genre of science fiction, and, long story short, he recently lent me his copy of Mark Hodder’s 2010 novel "The Strange Affair of Spring Heeled Jack: A Burton and Swinburne Adventure". Basically, Hodder takes real places (London specifically) and actual historical figures, such as Sir Richard Burton, poet Algernon Swinburne, Charles Darwin (yes, that Charles Darwin), and Florence Nightingale, and transforms them into bizarre, distorted, “steampunkish” versions of themselves in a much larger than life adventure set against a highly improbable background. The result is an amazing romp that could never have happened (time travel notwithstanding) but is nevertheless, a lot of fun. Recently, I've been making a concerted effort to read more recently produced science fiction novels and stories as defined by those having been published within the last ten years or so. Mr. Hodder’s novel certainly qualifies, so here we go. Here There Be Spoilers! The adventure begins with our hero (or anti-hero) Captain Sir Richard Burton about to debate the source of the Nile River with his once friend and now competitor John Hanning Speke. Then he learns that Speke was accidentally shot in the face (or was it a suicide attempt?) and immediately returns to London to ascertain Speke’s condition. The problem here is, history records that the debate occurred in 1865, and the current year as the book begins is 1861, but that’s only the first peculiarity. As the story progresses, the reader is introduced to a London of both fabulous inventions and horrible circumstances. We see steam-powered creations such as a monorail train, crab-like machines that act as street cleaners, as well as parakeets and greyhounds that deliver messages on command (with odd side effects), and manned box-kites pulled through the sky by enormous swans. We also discover a London that possesses a population of the most impoverished, destitute, degenerate humans imaginable against a backdrop of ghastly air pollution so severe that even in broad daylight, it’s almost impossible, at least on certain days, to see your hand in front of your face. Amid all of that, Captain Burton encounters an impossible being, the fabled “Spring Heeled Jack,” a man on stilts who can hop twenty feet in the air, shoot blue lightning bolts at random, and vanish into thin air. He’s also is the only character who seems to be aware that something is wrong with history. Oh, there’s more. An albino who has been crossed with a snow leopard, werewolves that spontaneously combust, and the mystery of why Jack has been accosting teenage girls, ripping their clothes off and sexually assaulting them across a span of several decades. As the saga continues to unfold, sometimes a bit too slowly, we finally discover (and what was strongly hinted at earlier in the tale) that Jack is really a time traveler named Edward Oxford from the early 23rd century. His history and ours says that in 1840, his ancestor, also named Edward Oxford, attempted to assassinate the young Queen Victoria. He missed with both pistols, was subsequently incarcerated in a mental asylum, and after his release, eventually emigrated to Australia, married, and had a child. The time traveler Oxford, believing this criminal act caused an everlasting stain on his family’s reputation, traveled back in time to stop the event. Unfortunately, he made it worse by changing his ancestor’s aim so that one of the bullets strikes and kills the Queen, and in the process, he accidentally kills his ancestor. Oops. What makes matters worse still, is that his time controller is damaged and he ends up traveling three years into the past and meeting a young and decadent aristocrat named Henry Beresford, 3rd Marquess of Waterford, who acts as his ally, giving him shelter and the means to temporarily repair his time machine. However, their interactions result in Henry starting a new social movement of anarchists, plus he communicates advanced technical knowledge to a noted engineer of the day Isambard Kingdom Brunel, who then begins a new technological revolution resulting in the world of Richard Burton in 1861. There are two ways to read this book. The first is to ignore all of the continuity flaws (though Hodder obviously had well mapped Oxford’s various leaps back and forth in time) and just enjoy this fanciful adventure, taking it on its own terms. In that sense, it’s a fun ride which sets the stage for several sequels. The second is to consider whether or not Oxford’s influence really would have resulted in the world Hodder crafted. My answer to this is “no.” Oh, it’s certainly credible that Oxford could have ended up changing the future by killing his ancestor, thus making it impossible to return to his future, but no matter what he could have told his friend the Mad Marquis, it wouldn’t have been specific enough to have radically changed London and the world in a mere 20 to 25 years. How Darwin altered himself, the creation of werewolves and other human-animal hybrids required advanced medical and genetic knowledge, which Oxford never communicated in any sense, thus this part of the story would have been impossible. Also, although Oxford mentioned “geothermal power” to Henry, and then Henry passed the information along, even if the genius inventor Brunel in the mid-19th century pondered the idea, it would be highly unlikely that steam-driven carriages and flying manned drones would have been the result. Also, it’s strongly suggested that the future Oxford, in trying to dissuade his 15-year-old ancestor not to be at the place and time required to assassinate the Queen, actually put the idea in his head, but if that were true, then why in the original history, which did not include a “Spring Heeled Jack,” did he do so anyway? There’s only a partial resolution at the novel’s end, but then that could merely be the setup for the second novel in the series. So reader, the choice is yours as to how you want to receive this novel. However, even if, like me, you are bothered about issues of continuity and causality, it’s still a fun story, though a bit of a slog at times. Oh, I recently read at article at Quartz that suggested anyone writing a science fiction novel set in the present or beyond and who didn’t include climate change as part (or all) of the environment was merely writing fantasy. Well, I suppose Hodder is writing fantasy to a large degree, or maybe climate change simply didn’t figure into his plot.
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Top reviews from the United States

  • Reviewed in the United States on January 24, 2012
    This is certainly not your everyday read, although it's certainly a good one. Set in 1861, the protagonist is Sir Richard Francis Burton, the explorer, not the actor. The first fifty or so pages feel like engaging historical fiction.

    Then all hell breaks loose. In a good way. This version of 1861 isn't what we read in the history books. It includes steam powered flying chairs, insulting messenger parakeets, genetically engineered werewolves, robotic street cleaners and all sorts of goodies. Most of the characters are famous Victorians, or in this world Albertians given that Victoria was shot to death in 1840 (a real life attempt that was fatal in this alternate history).

    The voice of the novel is third person, medium tight and usually riding with Burton. It does, however, jump over to some others occasionally like his side kick the Marquis-de-Sade-loving poet Algernon Swinburne and the title character. The tone is slightly flip, as the inventions and wackiness is just left of possible. Yet things remain consistently period and the characters are well researched and full of era-appropriate dialog, but also clever and engaging.

    About midway, the book, already getting weird, goes totally off the the deep end. Enter Spring-Heeled Jack, crazy time traveler, and a host of steampunk altered villains including a double-brain grafted Charles Darwin and an Iron Golemized Isambard Kingdom Brunel. But this zaniness only makes the novel better. I'm reminded of one of my all time favorites, The Anubis Gates, but TSAOSHJ is less magical, more grounded in technology.

    Bravo! This book really shows off tremendous world building and research while remaining fast paced and easy to read. If it has anything that holds it back from being a complete classic, it's that the characters, while well developed, don't really illicit any significant pathos. Things are just a little too distant and weird for that. It's not a huge book, and Hodder crams in an enormously distinct world, so it's no surprise this isn't a character study. Still, I do feel that the complex character of Burton was well profiled, almost like in a good biography. Impressive.

    I read this right after putting down another steampunk book, Clockwork Angel, just 20% in. Wow, what a difference. Both are set in alternate 19th century Londons, but other than a couple random "period words," CA feels exactly the same as the author's contemporary paranormal YA, with all its forced faux-romance. TSAOSHJ, on the other hand, is an adult book, and makes use of one's babbage augmented, steam-powered, glass jar encased, cybernetic brain.

    Andy Gavin, author of The Darkening Dream
    8 people found this helpful
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  • Reviewed in the United States on October 25, 2011
    I love historical fiction. Shogun by James Clavell, Pride of Carthage by David Anthony Durham, and Gates of Fire by Stephen Pressfield, are a few of my favorites off the top of my head. What I love about the genre is how it stimulates me to learn about historical events or individuals that I haven't had an opportunity to pay much attention to. If an author is clever enough to take this historical fiction element and blend in some science fiction the end result is something I can't help but want to read. After finishing The Strange Affair of Spring-Heeled Jack by Mark Hodder I feel a great deal of conviction in saying, "Please sir, can I some more?"

    Set in London, 1861, Sir Richard Francis Burton and Algernon Charles Swinburne stand at a crossroads in their lives. They are caught in the epicenter of an empire torn by conflicting forces: Engineers transform the landscape with bigger, faster, noisier, and dirtier technological wonders; Eugenicists develop specialist animals to provide unpaid labor; Libertines oppose repressive laws and demand a society based on beauty and creativity; while the Rakes push the boundaries of human behavior to the limits with magic, drugs, and anarchy.

    The two men are sucked into this moral and ethical vacuum when the Prime Minister, Lord Palmerston, commissions Burton to investigate why werewolves are terrorizing London's East End and if there's any connection to the assaults on young women committed by a weird apparition known as Spring Heeled Jack. Their investigations lead them to one of the defining events of the age, and the terrifying possibility that the world they inhabit shouldn't exist.

    As an American, I didn't have a great deal of historical attachment to any of the characters in Strange Affair. Before cracking it open the only two characters I had any real conception of were Burton himself (only barely), Charles Darwin, and Florence Nightingale (cameo appearances!). As for the many other historical characters in the novel I was largely blank - although Isambard Kingdom Brunel was a sad oversight on my part. I can't begin to describe what a pleasent sensation it is to finish a novel and immediately adjourn to wikipedia. Who knew Spring-Heeled Jack was a real figure? Mark Hodder reminded me that life is stranger than fiction, and life with a heavy dash of fiction is even stranger.

    The central figure in the novel is obviously Richard Burton whom represents the paragon of English maleness for the Victorian era. He is rugged, overtly sexual, and excessively educated. It's unfortunate that he often seems to possess some incredible powers of deus ex machina. He always has the answers and manages to be in the right place at the right time regardless of the circumstances. Faced with a sword wielding panther man, well wouldn't you know it, Burton is a master swordsman! This is a minor complaint as Burton's renaissance man capabilities were well established early on and it did little to take away from Hodder's plotting which is - if I'm being frank - masterful.

    Most of the novel's early going is spent introducing Burton and "Victorian" London now powered by all kinds of incredible contraptions. There are message delivering robot dogs, street sweeping crabs, armchair helicopters, and some form of early botox to name a few. Once all that's out of the way and Burton gets his assignment the novel begins to read a bit like Sherlock Holmes before descending into a paradoxical mind trip. Paradoxical I say? Yes, not everything in Strange Affair is steampunk and I think calling the novel anything but science fiction obscures the truth.

    If what I write here is a bit obscure, I apologize, but it's in an effort to avoid spoiling any of Hodder's twists. While the novel's early parts are historical urban steampunk, the latter half goes in a disparate direction culminating in a lengthy section told from the point of view of a character other than Burton or Swinburne. Things very much slow down as this point and scenes become somewhat redundant as Hodder runs through the reasons why in 1840 history as we know it ceased to exist. I don't begrudge the time spent as the explanations are necessary to unravel his dense plotting.

    By the novel's conclusions everything makes sense, which for anyone reading the middle section described above may seem like quite an accomplishment. None of that would have been possible without some brilliant writing. I don't mean that Hodder is some kind of wizard of metaphors like Lauren Beukes or an efficient wordsmith like K.J. Parker (although he does write a fine sentence). Nor has he put together a layered narrative like Lev Grossman. Instead, what I mean by brilliant writing is that he's written something that feels Victorian, but reads modern. Compare it to Jonathan Strange & Mr. Norrell, which feels Victorian and reads the same way leading to an occasionally frustrating experience. I think it's quite an accomplishment to write a dated voice but make it so easily readable to modern sensibilities.

    I've been making up sub-genres lately. In my Zoo City review I coined urban noir magical realism and now I'm forced conjured up historical science fiction steampunk. Whatever. Regardless of what I call Strange Affair it's a premier example of how to do historical fiction through the specfic lens. Hodder has given readers a tremendous trip into the history books, a dynamite adventure to keep things lively, and a science fiction twist to get the mind working. Consider me a big fan of Mark Hodder moving forward. I can't wait to check out the sequel The Curious Case of the Clockwork Man.
    3 people found this helpful
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Top reviews from other countries

  • Brian J. Cox
    5.0 out of 5 stars Mix the ingredients, light the touchpaper, and ...whoosh!
    Reviewed in the United Kingdom on May 25, 2011
    I try to keep up with all the SF award-winners (this has just won the Philip K. Dick Award), but while they're mostly inventive and worthy, they're often not much fun. Well, "Spring Heeled Jack" is certainly inventive, and no doubt worthy, but most of all it's a ton of fun - an absolute delight from start to finish. This really was a book I couldn't bear to put down, and finished in two large sittings within 24 hours of its arrival on the doormat from Amazon.

    The plot is terrific, so I'm not going to give too much away. Suffice it to say: take a Victorian - no, make that Albertian, setting - and mix in large dollops of H. G. Wells, Conan Doyle, Philip José Farmer, Charles Dickens, Michael Moorcock (surely the book's Godfather, and acknowledged by Mark Hodder), Jack Finney, Robert Heinlein, and lots and lots of others, get your history right so that you can change it with impunity and keep the reader with you, stir it all together into a potent mix, and whoosh! When you get (all too quickly) to the end, you can only take your hat off to the author - a bravura performance, and a worthy award-winner.

    And it's so funny too: see if you can stop yourself laughing out loud at the messenger parakeets. Yes, messenger parakeets.

    Great stuff: get it now!
  • fastreader
    5.0 out of 5 stars STUNNING Steampunk Tale of Detectives, Time Travel, Possibilities
    Reviewed in Canada on January 12, 2012
    This is a great story about Sir Richard Francis Burton and his assistant Algernon Charles Swinburne

    Set in the Victorian period Burton is an explorer whose biggest quest was the find the headwaters of the Nile. Unfortunately one of his fellow explorers, who accompanied him on this trip, John Hanning Speke has taken that away from him by claiming to have found the headwaters while Burton was taken sick.

    While Burton is preparing to debate Speke about this so called discovery word comes that Speke has accidentally shot himself in the head.

    While out drinking one night Burton is accosted by a man in a suit with blue electricity all around him standing on stilts. The man tells Burton to "Leave me alone". This a mystery to Burton who has no idea who the man in the electrical suit is. The man jumps into the air and promptly disappears.

    Burton is hired by the Prime Minister to investigate the potential of a spy at the senior levels of government and also the case of Spring Heeled Jack who has been attacking young girls over a period of 24 years.

    Burton is soon on the trail dragging his reluctant assistant Swinburne who is a drunk and a poet, in that order.

    Burton soon runs into werewolf like creatures and all sorts of human machine combinations in his quest to track down Spring Heeled Jack and determine what he is up to.

    At the same time there is a rash of kidnapping involving young chimney sweeps. Some are returned and some never come back. The ones that are returned have no idea where they were but each has a puncture would on their forehead.

    The use of steam powered transportation and automatons are pervasive in the book.

    Time travel also enjoys the majority in the middle of the book.

    This is a very well defined Steampunk novel with a compelling and exciting story arc. Recommended
  • john dunning
    5.0 out of 5 stars All the way from the States
    Reviewed in Germany on March 4, 2024
    As advertised and relatively speedy delivery.
  • p_eye_j
    4.0 out of 5 stars Nice.
    Reviewed in the United Kingdom on May 2, 2016
    I've given this four stars as I've not yet read it also the book was a lot larger than I imagined for a paperback and a bit creased around the edges other than that I am quite happy.
  • Calagry1970
    5.0 out of 5 stars A great book pm alternate history with a emphasis on steam ...
    Reviewed in Canada on December 31, 2014
    A great book pm alternate history with a emphasis on steam punk and Victorian intrigue. Very hard to put down !